“How many ages hence
Shall this our lofty scene be acted over,
In states unborn and accents yet unknown!”
The Tragedy of Julius Caesar
It is perhaps not unintentional that I thought of these lines from Julius Caesar as I watched 果てしなきスカーレット/Scarlet, which itself is inspired by another of Shakespeare’s works, Hamlet. This already endears the film to me, as I love the gravitas it lends. We should aim to tell heavy, compelling stories, no matter the medium! I find the setting and storytelling to very much live up to this noble goal, and both largely succeed in creating the conditions for Scarlet to move through the story and change as a character. Change is not an easy or peaceful process, and Scarlet very much does not get to win hers without cost.
The Animation: I am not experienced in criticism of animation, so I will leave it at this: I found much of the animation pleasing, of good quality, and some scenes were beautiful. I also found some of the character animation to be missing detail or sufficient life, or some quality that I can not get to. Overall, I think the animation works to tell the story and reinforce the setting, but for whatever reason some of the close up shots failed for me, while others were compelling.
The Writing: I found the writing unoffensive (good), in that the characters had their voices and the words conveyed their personalities. At some points the writing is a feature and deeply moving, such as in much of Act I, and the final confrontation of the film.
Pacing: Most of the film is well paced, and it feels as though our characters are changing at the right speed. Things happen, and this provides a chance for Scarlet to imagine a new path. There is one point in the film that to my feeling throws the pacing out the window, and suddenly all too fast we have characters changing rapidly with very little happening to cause this change. This is my main problem with the film, and I detail that below.
Sound: I found the sound well done, as far as effects and ambiance go. The music was lovely, but not terribly notable. I will not be loading it on my iPod, but it does not take one out of the film. As with most movies I found the loudest points entirely too loud. I wear ear protection of some sort in theatres in all cases, so it is not a knock on this film in particular. The empty theatre (not more than 20 in am IMAX theatre) most certainly also contributes.
The Meaning: I enjoyed this film particularly as it was an examination of revenge and the seemingly never ending cycles it locks us all in. It must be thought to be a film deeply concerned with peace and how a peaceful society comes about. I find the overall moral thrust of the film very much in agreement with my thinking, although I expect most people will. It does not contend too much with the complexities of ‘evil’, but I think to do that would mean making a very different film. It deals with the question of “good”, and leaves an examination of the complex forces leading to “evil” for others to examine.
Spoilers After This Point!
My main issue and how I would do this film:
My main issue with this movie is in act 2, when Scarlet is ripped from the Otherworld and transported into the future. The film rips us into the future not to gaze at the cycle of endless war and conflict, but for a musical theatre dance number. Actually, the choreography is nowhere near as good as any musical, so that gives them too much credit. The tonal shift was jarring to me, and there is very little precedent as to why she would be able to move through time to an alternate future where she is in the modern world.
And to make it a dance number. I’m sorry, but the shock of predicating Scarlet’s transformation on an alternate future dance number is too much for me. The film in one moment throws away any gravity it has created up to this point for a wholly unnecessary scene that perhaps was intended to show off the animators’ prowess. I do not know what else would drive you to create this scene. To have Scarlet be able to imagine a peaceful future? You’ve already constructed the world that can show her that. Why else do we have Hijiri, if not to show her the future? To tell her of the possibilities that exist and have Scarlet realize for herself that the future is peaceful. This is a world that contains the past and the future together, she needs not be transported into the future and suddenly changed for no reason in particular. Scarlet’s revelation must be born of the experiences she has in the Otherworld. The framework for this change is there, with the caravan and coming to trust Hijiri. She is brought to the otherworld to change, let her change there!
I would set the scene by the fire to the acoustic version of the song, and then have Scarlet think back to all the times she saw her father choose to pursue peace. Chekhov’s gun was hanging on the wall here, we watched her father in Act 1 pursue peace with such an unfailing devotion that Claudius was able to use it kill him. Scarlet’s few scenes of being able to live for herself were with her father. Show us that childhood, have her remember the picture as she sits with Hijiri around the fire, and remember the peaceful world her father could imagine. Scarlet has been changed by her time with Hijiri, her time wandering the Otherworld. These memories take on a new light, a new understanding to her, as she learns about the world beyond her own. Now she has a viewpoint from which she can understand her father a little better. She can start to come around to his vision of peace.
From here on until the scene with Rosencrantz and Guildenstern, she should be struggling between revenge and forgiveness (of Claudius, in the fight scene, etc.). She keeps her hair, they meet the pilgrims to the world’s end, and Rosencrantz and Guildenstern are sent out.
Scarlet interacts with the little girl, and then the girl is put in danger (as per the existing film). Scarlet hides behind the rock and watches. I think right there, where she has to choose between letting an innocent die in her quest for revenge, or giving up herself to save the innocent, is when she slices off her braid. She has chosen to let her revenge not be her primary goal, she has chosen others and justice over revenge. The innocent shall not suffer for the sins of the wicked.
We then move through the film as programed, with the final revelation being that one must forgive oneself, live for your sake, and live so as to bring about a better world. An eye for an eye makes the world blind.
I liked the ending – my only nit to pick is: she’s like 14, why are we going for the kiss on the lips for this 26 year old guy? My live reaction in the theatre was “she’s 14, eww”. Even if he was 20 I wouldn’t like it. She can kiss his cheek, his forehead, or embrace him, but I found the kiss on the lips distasteful. Even if she is 18, I do not think the film did sufficient work to lay out any romantic interest here at all. A good thing, let there be no doubt!
Summation:
I did very much enjoy 果てしなきスカーレット/Scarlet. I quite like that they were willing to take Hamlet and run with it, to try again and tell a story so central to the story of being human. The world created for this film was compelling, in its mix of peoples throughout time. They all share the underlying urge to obtain immortality and a reprieve from the endless cycles of death and violence that continue in the Otherworld, the same as in our world. Scarlet herself must come to understand what her vision of the world will be, and what it is she will live for. She is ‘right’, perhaps, in seeking revenge for the injustice wrought against her. This is, after all, justice as we recognize it. The evil are punished for their deeds. The complicating factor is: Scarlet lives only to right this one wrong, and in doing so looses all of the potential she has to ensure the ideals of her father live on. Her father need not die, for even though his flesh does not stir, his ideals and his memory lives on in her. She can abandon her personal justice, and in so doing buy freedom and peace for her people. How can any of us be asked to make this choice, or to say which way is right or wrong?
All the bones of a good film are here, but a few missteps will prevent this film from taking a place in the Anime cinematic cannon. Rest assured, however, the blu-rays will live on some devoted fans’ shelves, and there will be much debate as to how each of us would have gotten the film across that line, if only we had the chance!